Filmography · 2010 — 2026

Next Release · In Development
A poetic dystopian drama about resistance, memory, and the right to feel. In a world built to suppress the soul, even the act of being emotionally present becomes radical. Light begins as a patient and becomes a prophet — a teenage Dionysus, a modern Christ-figure, luminous and defiant. Her revolution is not violent — it is poetic.
Proof-of-concept short “Dankova” — Official Selection, Raindance Film Festival 2025 (UK Premiere)

Next Release
A love triangle — a meta-narrative woven into the life of an ordinary teenage girl. Sixteen-year-old Love Crucified — her name echoing both love and the cross — runs away from home, and by the end the entire “Holy Trinity” gathers at the dacha. A reinterpretation of the events surrounding Jesus and Pontius Pilate.
What if all of us are crucified between the past and the future — just as Jesus once was?

When you're 16, you can do a lot during the big break: drink for the low grades you got while defending classmates, bully your secret crush, and make it to grandma's funeral when you never got to meet her. Or finally, confess to your mom. But will mom listen to you when you're only 16?
Riverside Studios Showcase (London) · Moscow International Film Week · Clermont-Ferrand Russian Film Festival · “Northern Character” IFF

In a dystopian world where love is banned, a teenage girl is suffocating without tenderness, without hope — she no longer wants to live. But what happens when she meets her grandmother, a rebel who escaped her assigned death?
Winner — Stockholm Film & Television Festival · Official Selection — Raindance 2025 (UK Premiere) · Finalist — Sweden Film Awards · Riverside Studios Showcase

A familiar story of Romeo and Juliet retold through three perspectives, each revealing its own truth: the story as seen by the mother, the story as seen by the daughter, and the same private story as portrayed by the media.
Riverside Studios Showcase (London) · Amur Autumn Film Festival

A story of forbidden love between two female high school students who dream of escaping the hypocritical, fake world of the adults.
Best Short Film — “Stalker” Human Rights IFF · Golden Jean-Luc Award · International Competition Prize — Thess ISFF · Kinotavr · Golden Eagle long-list · Oslo/Fusion · Riverside Studios Showcase

87% of people in the world don't like their job — but the main character of this film doesn't want to join the ranks. He is ready to struggle for the job of his dreams.
Grand Prix — Independent Film Festival · Best Feature — VISION Int'l Festival · Special Jury Mention — St. Anna · Golden Eagle long-list

Kardo, a son of Russian immigrants living in Stockholm, believes he can see the future: the Apocalypse will destroy the whole world — except Russia. So he sets out to save Russian immigrants in Sweden by returning them to their Motherland. But what do they think about leaving Sweden?
Grand Prix — Kansk Int'l Video Festival · Golden Jean-Luc Award · Glasgow Short Film Festival · TEMPO · Festival des Cinémas Différents de Paris

“When I am released, I will simply move from one prison to another.” — Oscar Wilde. Freedom is rarely with us. “Those who are not with us are against us,” reads the inscription by the entrance of a correctional facility — a stark reminder of the system's grasp.
First Prize, Best Documentary — 19th Open Festival · Audience Choice & Best Documentary Directing — 32nd VGIK IFF · Diploma — 9th KIN Women's Film Festival

An ordinary man, in an ordinary country. All he wants is to make money from this country so that his children are at least happy.
Best Debut — Documentary Film Festival “Russia” · Golden Jean-Luc Award · Flahertiana · Kinoshock · Window to Europe

An early short from the company — a moral fable in which conscience, long ignored, finally comes calling for an ordinary man. A wry, unsettling parable about the quiet reckonings none of us can outrun.

One of the company’s earliest works — a short documentary comedy that pairs two lives, two stories, in a single wry portrait. Rough around the edges, and all the more human for it.
“She speaks not in slogans but in vulnerability. She does not call for destruction. She calls for feeling.”— Light Danko
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